The previous Psalms have been, as we have seen, varied happy exercises of the Remnant on the great themes connected with the kingdom, and which were suggested at the beginning—such as the discomfiture of the enemy, the stability of the throne, and the holiness of the house or government of the Lord. Here Messiah is again personally heard, as He was in the first of this series. (Psa. 92.) He takes the kingdom (that is by anticipation, greatly desiring it in reality, Psa. 101:2), entering it with a song to “mercy and judgment;” for mercy and judgment had just been seen in the way of bringing in the kingdom—judgment on the enemy, mercy towards the true Israel.
And having sung this song, He undertakes to order His kingdom in righteousness, and to maintain the holiness of God’s house forever, as in Psa. 72; 2 Sam. 23:5; Isa. 9:7; Isa. 11:4; Zech. 14:21.
And observe that, in principle, “mercy and judgment” are the burden of the thoughts or songs of every believer or worshipper when entering on any divine dispensation. Adam went out of Eden to walk across a cursed earth as a pardoned sinner, with this song in his spirit—so did Noah enter on the new world—and so did Israel enter Canaan in the like way; for each of these in his day, Adam, Noah, and Israel, had witnessed judgment upon others, and were themselves the witnesses of mercy. We have entered on our age, singing likewise of “mercy and judgment;” for we have seen the judgment of our sin sustained by Christ, and ourselves the monuments of mercy. And when the glory or kingdom is entered by and by, as we read here, mercy and judgment will again be sung. And this must be so, for righteousness must be upheld, while grace takes its course; justice will not give way, though love will have its way.
What a perfect little volume this appears to be. (Psalms 92-101.) Messiah Himself opens and closes it. At the beginning He anticipates His being anointed for the kingdom, or the exaltation of His horn—at the close He declares how He will order His kingdom. And His Israel in the mean time have, as we have also seen, rehearsed their anticipations of the kingdom in its judicial righteousness and final blessedness. Oh for more concord with all this in our hearts! Oh that we were “tuning our instruments at the door”—getting our hearts more in harmony with the joys of this coming kingdom! May we watch and pray for such a mind, and be skilled in the songs of the Lord!