Solomon is set before our eyes on his throne, in a posture, so to say, unchangeable; peace reigns, the counsels of God concerning His King are fulfilled, and this King Himself is God.
This scene of peace and well-being has its starting point on Mount Moriah, a detail, let us carefully note, which is missing in the book of Kings: “Solomon began to build the house of Jehovah at Jerusalem in mount Moriah, where He appeared to David his father, in the place that David had prepared in the threshing-floor of Ornan the Jebusite” (2 Chron. 3:1 JND). It was at Moriah, first of all, that Abraham had offered Isaac on the altar and received him again in figure by resurrection; there, all that the holiness of God demanded had been provided. Next, it was at Moriah where, on the occasion of David’s failure, grace gloried over judgment. Solomon’s reign of peace is thus established after resurrection, on the principle of grace, just as the future reign of the risen Christ will be based entirely on the grace that triumphed at the cross. Following the sacrifice of Moriah and in virtue of the sovereign monarch’s personal perfection, the latter may from this time forward enter his temple. The eternal gates will lift up their heads to let the King of glory pass. He will have a rich entry into His own kingdom. Only in Chronicles do we find the immense height of the porch of the temple (2 Chron. 3:4).
The Furniture
One more characteristic detail: Here we see only palm trees and chains on the walls of the house; palm trees are the symbols of triumphant peace; the chains, which also ornament the pillars here, are not mentioned anywhere else except on the shoulder pieces and the breastplate of the high priest. They firmly unite the various parts and appear to symbolize the solidity of the bond uniting the people of God. There are no more partially opened flowers, symbol of a reign that is beginning to blossom out, as in the book of Kings. Here the reign is definitely established; there are no more cherubim hidden under the gold of the walls; they appear only on the veil. There are no more secret thoughts, no more hidden counsels of God; they are now made manifest in the person of Christ, but fixed on the veil—His flesh delivered to death. In the most holy place, two cherubim standing with wings extended face “toward the house” (2 Chron. 3:13), a fact mentioned only here; they contemplate the order of the people of God established from henceforth on. The pillars Jachin and Boaz (“He shall establish” and “In Him is strength”) are essential to this scene, emblems of a reign established from this time on and dependent entirely on the power which is in Christ.
Another interesting detail: Solomon “made ten tables, and placed them in the temple, five on the right hand and five on the left” (2 Chron. 4:8). First Kings 7:48 mentions only one. Is it not striking to see the loaves of showbread thus multiplied tenfold? Solomon is viewed as seated “on the throne of Jehovah” (1 Chron. 29:23); Israel increases under his reign; they ever remain the same tribes, but infinitely increased in the eyes of God, who beholds them and governs them. The true Solomon, Christ Himself, is the author of this multiplication (2 Chron. 4:8). In the millennium Israel will be complete, as presented to God by Christ, an offering well-pleasing to God.
The Ark
In 2 Chronicles 5 the ark is brought up from the city of David to the magnificent house which Solomon has prepared for it. The tabernacle and all its vessels, which were at Gibeon, rejoin the ark in the temple; thus the remembrance of the wilderness journey ever remains before God. We are not told of the vessels of the court; most importantly, we are not told of the brazen altar that was set up by Moses and where God in grace came to meet a sinful people. This wilderness altar is replaced by Solomon’s altar, itself corresponding to the altar David set up on the threshing-floor of Ornan. Solomon’s altar is mentioned in passing in the book of Kings only when all has been finished (1 Kings 8:22). Kings, as we have said, has another object in view than worship. The ark has at last found a place of rest, but the millennial scene, which these chapters pre-figure, is not the eternal, final rest for God’s throne. The staves have not disappeared, although their position denotes that the ark will no longer journey. The entire scene of millennial blessing described here will end when the new heavens and the new earth are established.
H. L. Rossier (adapted)