The Downfall of the Images

 •  3 min. read  •  grade level: 13
Listen from:
The appointed interval had elapsed, and as no reply was received from the Roman Catholic cantons, the council of Zurich determined to proceed in the work of Reformation. The decree for the demolition of images was passed in January, but the authorities were in no haste to have it executed. There is nothing more to be admired at this moment of our history, than the patient and considerate way in which this delicate matter was conducted by the magistrates. They delayed in the expectation that the work would be accomplished by the general consent, and not by the open violence, of the people.
At the request of the three pastors, Zwingle, Leo Juda, and Engelhardt, the council published an order to the effect that, honor being due to God only, the images should be removed from all the churches of the canton, and their ornaments sold for the benefit of the poor; that the council prohibit all private persons from destroying any image, without public authority, except such as are their own property; that every separate church may destroy its images after a prescribed method; that those persons whose families had erected images in the churches must have them removed within a limited time, or they will be destroyed by public authority. By these prudent and moderate measures, of which Zwingle was the councilor, civil dissension was entirely avoided, and the work proceeded as if by the unanimous determination of the citizens.
The appointed officers, consisting of twelve councilors, the three pastors, the city architect, masons, carpenters, and other necessary assistants, went into the various churches, and, having closed the doors, took down the crosses, defaced the frescoes, whitewashed the walls, burned the pictures, and broke in pieces or otherwise destroyed every idol, to prevent their ever becoming again the objects of idolatrous worship. The country churches, following the example of the capital, displayed even greater zeal in destroying their ancient decorations and the objects of their recent adoration. Zwingle speaks with a little playfulness of a famous stone statue of the Virgin among the nuns in Altenbach, held in great reverence, and of much miraculous celebrity. The monks affirmed that it could never be removed from its place, or at least it could never be kept from its venerated station. It had been repeatedly taken away, firmly fixed and fastened elsewhere, and even locked up, but it always reappeared the following morning on its former basis. But alas! it failed to vindicate the prediction of the monks; it quietly submitted to be roughly removed, and returned no more to its ancient position. Thus the idol lost credit with the people.
"I rejoice, then," exclaims Zwingle, "and bid all others to rejoice with me, that this most iniquitous imposture was at length removed from the eyes of men; for, when this was once accomplished, all the other figments of popery were overthrown more easily. To God, through whose power and grace all this has been accomplished, be praise and glory forever. Amen."